You will notice the Volume going UP and it turns into Mono=mode, but a Step on the Sustain pedal, and HOLD IT.Ħ. use SUS-key P follow Mode for the portamentoĤ. Put the portatime to 2 (or whatever you want)ģ.
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Use any sustaining patch such as strings, analog brass, organ, whatever.Ģ. Here is a technique I have learned thru the years for getting SUPER leadġ.
Another is to take an existing patch,Īnd edit it from there to your liking, adding velocity changes, pitch
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Perhaps you want another bell sound, but you can detune themįrom op 1, so when you put them together you get a full chorused type ofĤ.So for each Stack: decide what type of sound you want.ĥ.When completed, Unmute all ops and listen to the result.Add any finishingĦ.Now decide what types of Modulation, Velocity and keyboard level scaling Sounds, MUTE ops 1 and 2, UNMUTE 3 and 4, bring up the operator level for operatorĤ, and then decide what type of sound will go well with your bell sound you Do you want a bell type of sound? then you will needĪ high freq on op 2, a fairly low output level so is not overwhelming andĪnd sharp attack on the envelope.When you are satisfied with how that Now you can concentrate onģ.Work the envelope of the first op which is the basis. For example, using alg 5, I want to work on MUTE the other operators you are not working on. I usually start with Alg 5 or 6, which gives youĢ. I tend to look at DX programming as putting together components to make oneġ. ENJOY! Please Email me if you have some comments on the sounds. I also program my FB01 which is 4 operator FM. I would back up your internal sounds also, before dumping new sounds in. Go to Function Button # 8 and set the midi channel to 1,and enable SYSTEM EXCLUSIVE. When put together you end up with BELL-BRASS.īelow you will find some of my sounds in standard sysex format and a utility to load them called DUMP-IT by Ben Hall. # 5 or 6 which gives you 3 different sound textures to put together. I create parts of a sound, then put them together to form a complete sound. I looked at Dx programming almost like WAVE sample synthesis. (I sent it to Yamaha hoping for a new DX-7.but wishful thinking!) I have a STORYĬonnected to my particular Dx. Today I am STILL programming my DX-7 using XOR on the Atari. Had good reviews in Keyboard magazine at the time. I was part of that also, programming a number of sounds for a 128 slot ram cartridge by Sound Connection (in Palo Alto). Thus the 3rd party SOUND PROGRAMMER Industry was born. The only thing is that people thought it was hard to program. Practically every record in that period featured the DX sound.
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Yamaha TG33, SY22, and SY35 (Single and (for TG33) Multi Modes)Įdisyn has infinite levels of undo, CC and NRPN mapping and learning, offline modes, randomization, merging, nudging, hill-climbing, patch constriction, per-parameter customization, real-time parameter updates, test notes, microtonal editing and more.Back in 1983 the DX-7 had it's day. Waldorf Microwave II, XT, and XTk (Single and Multi Modes)
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Waldorf Blofeld and Waldorf Blofeld Keyboard (Single and Multi Modes, plus Wavetable uploading) Roland JV-80 and JV-880 (Single and Multi Modes) Korg Wavestation SR (Performance, Patch, and Wave Sequence Modes) Korg MicroKorg (Single and Vocoder Modes)
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Korg SG Rack (Single and Multi Modes) and Korg SG Pro X Kawai K5 and K5m (Single and Multi Modes, plus single-cycle wave uploading) Kawai K4 and Kawai K4r (Single, Multi, Drum, and Effect Modes)
Kawai K1, Kawai K1m, and Kawai K1r (Single and Multi Modes) It has to my knowledge the most sophisticated set of general-purpose patch-exploration tools of any patch editor available.”Ĭasio CZ Series (CZ101, CZ1000, CZ3000, CZ5000, CZ-1)Į-Mu Morpheus and Ultraproteus (Single, Hyperpreset, and MidiMap modes)Į-Mu Proteus 1, 1XR, 2, 2XR, 3, 3XR, and 1+Orchestral The developer says that Edisyn is “particularly good at exploring the space of patches. Edisyn is a free and open source synthesizer patch editor library, written in pure Java.
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